So my friend Sami loves Bollywood. Naturally because I love
Jane Austen, she once felt I should watch Bride
and Prejudice. Perhaps I’m a purist, but I don’t like my Austen
contemporized, set in a different culture, to a trendy sound track, and for the
love of god please leave the zombies out. Just give me Mr. Darcy and let me
swoon. And not just any Mr. Darcy; it has to be Colin Firth.
Sami is a unique person.
She’s half British and has no accent. Seriously, I’ve heard
her attempt at a British accent and I was offended on her mother’s behalf.
She also has a tendency to be pulled aside by airport
security every time she flies across the pond.
I went to study Jane Austen literature in Scotland. My
professor was British, we read a Jane Austen novel a week, and I was in heaven.
Before my move to Scotland, Sami agreed to meet me in Wales and we would take a
few days to travel up the United Kingdom by train.
Sami was doing a summer internship in the United States
Embassy and I was so nervous about being questioned at customs for a visa that
I blabbed all about Sami. Apparently, I crack under non-existent pressure.
So, Sami likes Bollywood. Bollywood and tea.
Perhaps if I enjoyed unapologetic escapism in the form of
musical numbers I could appreciate it more. But there’s something about
musicals that rub me the wrong way. They’re either too cheerful or too
depressing. I’m looking at you, Rent.
I get that there is deep history in Bollywood that has to
deal with British colonialism. But I refuse to believe this is Naveen Andrews
singing.

